11/3/2023 0 Comments Peek a boo i see you plushBowling Green, OH: Bowling Green State University Popular Press. Lent (Ed.), Themes and issues in Asian cartooning: Cute, cheap, mad and sexy (pp. Dimensions of desire: Sex, fantasy, and fetish in Japanese comics. Transcultural orgasm as apocalypse: Urotsukidoji: The legend of the Overfiend. Eroticism for the masses: Japanese manga comics and their assimilation into the U.S. Berkeley, California: Stone Bridge Press. The modern reader’s Japanese-English character dictionary (2nd ed.). Japanese-English English-Japanese dictionary. Explosive, expulsive, extraordinary: The dimensional excess of animated bodies. A short history of ‘ Hentai.’ Intersections, 12. Before anime: Animation and the pure film movement in pre-war Japan. Platonic sex: Perversion and shôjo anime (Part one). Released in North America by Urban Vision. Speech given at the symposium for the Asian Art Film Festival in Seoul, 1998. Paper presented at the Jan van Eijk Akademie, Maastricht. Man, nation & machine: The otaku answer to pressing problems of the media society. Science Fiction Studies, 88(29.3), available at. Released in North America by SoftCel Pictures. Central Park Media Corporation, 1995.įukumoto, K. Central Park Media Corporation, 1994.įukuda, J., et al. Berkeley, CA: Stone Bridge Press.įujimoto, Y. The anime encyclopedia: A guide to Japanese animation since 1917. Minneapolis: University of Minnesota Press.Ĭlements, J., & McCarthy, H. Penguin in bondage: A graphic tale of Japanese comic books. Edinburgh, Scotland: Edinburgh University Press.īuckley, S. Anime horror and its audience: 3 × 3 eyes and Vampire Princess Miyu. Positions: East Asia Cultures Critique, 10(3), 729–771.īolton, C. From wooden cyborgs to celluloid souls: Mechanical bodies in anime and Japanese puppet theater. Permitted and prohibited desires: Mothers, comics, and censorship in Japan. Also, when addressing the particularities of pornographic material, I will circumscribe myself to the categories of “soft-core” and “hard-core” as generally understood in contemporary North America: mainly, sexual suggestiveness and nudity for the first, explicit forms of intercourse and graphic fetishistic sexual activity for the second.Īkan, M. Censure in Japan operates differently than in the Euro-American West (see, for example, Allison 1996, especially Chapters 3 and 7 Buckley 1991), and the country’s specific social and legal history is beyond the scope of this paper (in this particular, Perper and Cornog 2002, provide a general, historical framework that traces the sources of erotic depictions in manga, or Japanese comics, and is equally applicable to erotic anime). Throughout this paper, I use the terms “pornography” and “pornographic” in a limited sense: that which depicts (either literally or metonymically) sexual acts nominally deemed private and is specifically marketed as an aid in the process of sexual arousal.
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